Pencil Drawing – ‘High Street, Broadway – Cotswolds’

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Architecture, Art, Artist, Artistic, Artistic moment, Arts, Artsy, Arty, Broadway, Cotswold church, Cotswold holidays, Cotswolds, Cottages, Drawing, High street, History, Illustration, Old architecture, Old photograph, Original art, Original drawing, Pencil drawing, Pencil illustration, Photograph, Stone buildings, Stone church, Street, Street Scene, Timeless, Timeless art, Tranquil

‘ High Street, Broadway – Cotswolds’

Broadway in the Cotswolds – drawn in pencil from a photograph, taken on one of our many holidays there when our children were younger. The architecture is many hundreds of years old in this part of the country and I wanted to capture it in a medium, as if it could have been drawn at any time, from two hundred years ago to the present day.

Compare the pencil drawing to the same image done in

Pen and Ink – High Street, Broadway, Cotswolds – Sketch in Ink

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Street Art/Landscape – Chapeltown – Oil on Box Canvas

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Art, Art Original, Artist, Artistic, Artistic moment, Arts, Artsy, Arty, Chapeltown Village, Contours of the village, Exhibition, Moment in time, Oil exhibition, Oil paint, Oil painting of Chapeltown, Original, Original art, Original oil painting, Painting in oils, Quaint, Quaint village, Red Flowers, Rural scene, Rural village, Sepia, Sepia tones in oil, Sketch, Sketch for oils, Stone cottages, Street art, Street art original, Street painting, Timeless, Timeless feel, Village flower displays, Village in bloom, Village street in Oils, Without cars

Splashes of Red in a Sepia Street

This is a little village Scene of Chapeltown main street. It is very quaint and every Summer the whole village have flower boxes and planters outside their houses. Many locals drive through just to see the beautiful display – “Chapeltown in Bloom!”

I wanted this little street picture to have a timeless feel and so painted in oil sepia tones. To achieve this I had to visit the village over twenty times to sketch it, as nowadays everyone has a car and the village only seems to exist from the middle of the bottom windows upward. After many, many sketches (Whilst cars were in different places along the road) I managed to get enough of the pavement line to construct the contours of the Village.

As a finishing touch I added some warmth back into the scene with the red flowers. This has been one of the most talked about paintings in local exhibitions – Especially as people can see the street now, as it used to be – Without Cars!